February – April 2020
Metaphysical Orozco is an immersion experience that offers the possibility of proposing a new understanding of the first murals that José Clemente Orozco – one of the three main protagonists of the Mexican muralism movement: “The Big Three” – made in the city of Guadalajara.
Through a multi-layeredvideo mapping, visitors will be immersed in an environment dominated by giant animated images that will invite them to “learn to see” two of Orozco’s most important masterpieces located in the auditorium of the University of Guadalajara : El hombre creador (The Creative Man) – or El conocimiento (The Knowledge) – and Los falsos líderes (The False Leaders).
In addition to the immersive experience, the exhibition includes some preliminary sketches of the murals. Both, the most informed observer and the novel public, will get closer to the details that are an essential part of the compositions and that, due to the magnitude of the main elements, can go unnoticed at first sight.
From a show of lights and shadows, audiences will have an experience within the theatricality and violence of these monumental pictorial representations that Orozco completed in 1937. The exhibit also includes a timeline and technical data with dimensions of the works, as well as an approximation with the simple materials used for its elaboration: sand, lime and powder pigments of mineral origin mixed with water.
With these murals the artist evokes the innate human transforming force and synthesizes it in allegories that place science, art, technique, free will, and determination as means that allow us to transcend. Orozco delivers an honest, timeless, and universal message: it is through education and knowledge that people can succeed in fighting against false leaders.
Metaphysical Orozco is an exhibition organized by the Museo de la Artes of the Universidad de Guadalajara (MUSA).
BETSABEÉ ROMERO: An Altar in Their Memory / Un Altar en Su Memoria
October 22 – November 24, 2019
Traditional Día de Muertos ofrendas, or altars, are one of the most important collective and cultural celebrations still in practice in Mexico, and Betsabeé Romero (Mexico City, 1963) is one of the most important contemporary artists in Mexico working with the traditional elements and rituals of Day of the Dead altars while interpreting these traditions within a contemporary perspective.
For more than twenty years, Betsabeé Romero’s work has been involved in the research and production of contemporary ofrendas. Romero’s installations typically combine folk traditions of metal and paper art with contemporary social concerns (including immigration, gun violence and other social conditions within Mexico and the world).
Romero’s work has been displayed on five continents, with more than 100 individual exhibitions. Previous exhibitions have been held at the British Museum in London; the Mega Altar at the Mexico City’s Zocalo; le Grand Palais in Paris; the National Museum of Women in the Arts in Washington, DC; the Rubin Center in El Paso, TX; the Nevada Museum of Art; the Neuberger Museum in Harrison, NY; the Nelson & Atkins Museum of Art in Kansas City, MO; the Anahuacalli Museum in Mexico City; the Recoleta Esplanade in Buenos Aires, Argentina; and Museo Casa Azul Frida Kahlo, among others.
While the exhibit centers around the Día de Muertos theme, it is also an homage to those deceased as a result of gun violence, as well as migrants who have died crossing the US-Mexico border.
“Por los duelos que no paran y que hay que acompañar
Por las muertes próximas, pero también por las distantes y anónimas
Por los que no hemos encontrado y merecen nuestro abrazo
Un altar en su memoria” B.R.
Exhibition SponsorsBetsabeé Romero: An Altar in their Memory
Mexican Modern Sculpture:
A Study of the Artists
May 5 – Sep. 22, 2019 (Closed)
About the Exhibition
This exhibition illustrated the aesthetics movement in Mexico, known as Escuela Mexicana de Escultura or Mexican School of Sculpture. These 9 featured artists are clearly positioned within the historical context of the Post-Revolution era in Mexico after 1920. It is focused on the revaluation and the exaltation of being Mexican; the nationalistic spirit of that time, and the ideals of the Revolution that both influenced and was influenced by the art. Mexican Modern Sculpture: A Study of the Artists has been organized by the Museo Casa Estudio Diego Rivera y Frida Kahlo in Mexico City with the support of the Instituto Nacional de Bellas Artes y Literatura and the Secretaría de Cultura of Mexico and Latino Arts Project is proud to be the only US venue.
Curated by art scholar María Estela Duarte, one of the greatest authorities in Mexican sculpture, this exhibition is the culmination of 14 years searching for previously undiscovered pieces and of academic research to create the most comprehensive look to date at these 9 artists, who reached their pinnacle of fame during the 1920’s – 1950’s and then were lost to history. Visitors will observe how each artist approached volume, using sculpture, and the influence of Mesoamerican cultures. Additionally, the way they dealt with identity and historical and social impact, such as family – particularly mother/motherland figure, education, history, politics and with the European avant-garde movements, like Art Deco.
About the Artists
This exquisite group exhibit includes more than 90 sculptures and numismatics plus several photographs and other documents of the 9 artists and it highlights the 5 regions where the artist were born and worked: Guanajuato, Jalisco, Nuevo León, Puebla and Mexico City:
Manuel Centurión (1883 – 1952)
Fidias Elizondo (1891 – 1979)
Guillermo Toussaint (1892 – 1965)
Juan Leonardo Cordero (1896 – 1960)
Carmen Carrillo de Antúnez (1900 – 1982)
Abraham Jiménez López (1901 – ca. 1988)
José L. Ruiz (1903 – 1981)
Isaías Cervantes Rodríguez (1903 – 1982)
Alberto de la Vega (1923 – 1969)